Kenneth Womack, who actually teaches a course in the Beatles at Monmouth University in New Jersey, has just published “Sound Pictures”, the second part of his mammoth biography of Beatles producer George Martin, and he came to Word In Your Ear to talk about it. There was plenty to cover: from his childhood in the Depression through a transformation thanks to the Fleet Air Arm and the Guildhall School of Music to an apprenticeship at EMI which led him to produce everyone from Flanders and Swann to Peter Sellers and then confronted him with the challenge of making something of the four boys from Liverpool that the publishing division were keen on signing.
He wasn’t convinced at first but as soon as they did something he thought was good he was the first to recognise it and he was the only person apart from Brian Epstein who believed they were going to be huge and helped make sure they were. Kenneth provides a gripping account of what was arguably the most productive creative partnership of the 20th century. How does he think they would have fared if they had ended up with some other producer at EMI rather than George Martin? “I think they would have had a few hits and then faded away,” he says. “What make it all work was that they came at everything sideways.”